Scanning setup
Arthur Brainville (Ybalrid)
- 2 minutes read - 299 wordsMy scanning setup works better on full, uncut rolls of film.
- Cut a piece of the leader at a slant for easier insertion
 - Put in essential film holder
 - Turn on light source
- Cool light for color negs
 - Medium light for black and white (does not matter to much)
 - Warm light for color slide (at least for Ektachrome)
 
 - Plug DSLR to PC
- EOS Utility is probably running, if not start it
 
 - Camera in M mode
 - Put the old Macro lens, it does not talk to the camera and is already stepped down
 - Set white balance to correspond to the configured light
 - Attach camera to the Durst enlarger column
 - Align film holder on top of light, use 3d printed spacer to help diffuse light
 - Fill the frame with the negative, and focus on the grain using the 10x zoom in live view
 - Set camera to 100 ISO
 - Expose with shutter speed to push histogram to the right
 - Take the first frame of the shot
- This creates a folder in 
C:\User\<logon name>\Pictures\<today's date> 
 - This creates a folder in 
 - Open Filmomat SmartConvert
 - In preferences, change the hot folder to the one found above
 - You should see that picture, adjust settings for density, contrast, color…….
- tip: Select 
greyscalein the UI if you shoot black and white on the first frame, that shows the true contrast. This setting persist for all subsequent frames too. - Frame to frame settings persistance is also the case for mirroring and orientation
 
 - tip: Select 
 - Each time you take a picture of the next frame, check exposure to see if all the dynamic range is well available at the top of the histogram, then adjust frame by frame in SmartConvert
 - Once you are done, export the TIFF files
 - Open those for furher editing (I do not crop them in Filmomat, I do that in DarkTable for example)