Scanning setup
By Arthur Brainville (Ybalrid)
- 2 minutes read - 286 wordsMy scanning setup works better on full, uncut rolls of film.
- Cut a piece of the leader at a slant for easier insertion
- Put in essential film holder
- Turn on light source
- Cool light for color negs
- Medium light for black and white (does not matter to much)
- Warm light for color slide (at least for Ektachrome)
- Plug DSLR to PC
- EOS Utility is probably running, if not start it
- Camera in M mode
- Put the old Macro lens, it does not talk to the camera and is already stepped down
- Set white balance to correspond to the configured light
- Attach camera to the Durst enlarger column
- Align film holder on top of light, use 3d printed spacer to help diffuse light
- Fill the frame with the negative, and focus on the grain using the 10x zoom in live view
- Set camera to 100 ISO
- Expose with shutter speed to push histogram to the right
- Take the first frame of the shot
- This creates a folder in
C:\User\<logon name>\Pictures\<today's date>
- This creates a folder in
- Open Filmomat SmartConvert
- In preferences, change the hot folder to the one found above
- You should see that picture, adjust settings for density, contrast, color…….
- tip: Select
greyscale
in the UI if you shoot black and white on the first frame, that shows the true contrast. This setting persist for all subsequent frames too.
- tip: Select
- Each time you take a picture of the next frame, check exposure to see if all the dynamic range is well available at the top of the histogram, then adjust frame by frame in SmartConvert
- Once you are done, export the TIFF files
- Open those for furher editing (I do not crop them in Filmomat, I do that in DarkTable for example)